24th November, 2020
‘A big thank you to everyone to OnSight who worked with us on the film. It was such a pleasure working with such a smart, creative, engaged and kind team of people.’
Produced by Chantelle De Carvalho and Directed by Liz Smith, this documentary explores the impact of the digital revolution and smartphones on today's teenagers and what that might mean for the future.
For those who don't know, Generation Z (aka Gen Z, iGen, or centennials), refers to the generation that was born between 1996-2010, following millennials. This generation has been raised on the internet and social media, with some the oldest finishing college by 2020 and entering the workforce.
Investigated through expert interviews and the web lens of Generation Z, the documentary explores how the explosion of the digital revolution is impacting our society, our brains and mental health.
The current tech revolution is moving at hyper speed and brings with it a lot of positives, but there is a dark side too. When our children become adults the world will be a very different place to the one we know today. It is critical that we ask questions now about the role we want tech to play in our lives and make conscious decisions about how we integrate it into our lives, and in the lives of our children.
This documentary raises questions about the contemporary world we live in, questioning what will our children become, have smartphones destroyed a generation? OnSight have had our eyes truly opened to this informative documentary and can't wait for the world to see it. OnSight’s contribution to the film includes, Colourist Ellory Payne, Online Editor Adam Sample, Re-Recording Mixer Andy Coles and Post Producer Jeff Halsey.
20th November, 2020
Big Deal Films and Studio 71 have delivered orders, with a little help from OnSight, as part of the BBC’s Talking Heads-style teen monologues. The monologue series comes out of the BBC Spark initiative, which is an in-house team that helps the Corporation think differently about the way they work and change it for the better, particularly around themes of diversity.
Commissioned by BBC Children’s, the short films OnSight have provided post for are Big Deal Films, ‘SHAPES’ directed by Ethan McDowell, Producers by Mustapha Kseibati and Executive Producer Dhanny Joshi. Shapes follows a gobby, disruptive girl called Cassie Jenks who visits an art gallery on a school trip with the intention of bunking off, but is surprised to find something there that cuts through the noise of her life and connects with her.
‘SPARKLERS’ directed by Ellie Rogers, produced by Mustapha Kseibati and Executive Produced by Dhanny Joshi, Holly shares her first kiss with cool, confident Ava, and recalls the puzzle pieces of her past that suddenly slot into place now that she's honest with herself.
Studio71 show The Main Part is about a young girl with Anglo-Indian heritage who dreams of being an actor but learns about the realities of being typecast. Directed Rosie Westhoff by produced by Sara Huxley
18th November, 2020
Huge Congratulations to Infinity Hill, GCB films and OnSight for being shortlisted for 'Innovative Use of Technology in Storytelling' for the Broadcast Tech Innovation Awards!
Producers are Phin Glynn, Victor Glynn and Georgia Tennant. David Tennant and Michael Sheen executive produce. Executive producers for Infinity Hill are Axel Kuschevatzky and Cindy Teperman and for GCB, Geoff Iles.
The category ‘Staged’ is nominated for is all about how technology is used through storytelling. Staged is filmed by self-shooting, video conference technology and a voice app which was then sent to the editors, as well as Tennant and Sheen portraying lockdown at the expense of their own dignity. The cast also includes actor Georgia Tennant and Anna Lundberg, Tennant and Sheen’s partners in real-life, as well as some special guests.
The Offline Editing was completed via Avid; and once handed to OnSight via an AAF, it was decided to Online and Grade with Da Vinci Resolve as it has full functionality for a project like this. The Online involved linking back to the high resolution footage, which was difficult considering the webcam sources, but with the final result, after the Grade had been applied, it was the storyline that really carried this project to the winning line.
11th November, 2020
Pink Floyd‘s Delicate Sound of Thunder live album and concert film were restored, remixed and re-edited for last year’s Later Years box set, but this November will be made available separately, across all major physical formats.
Filmed at Long Island’s Nassau Coliseum in August 1988 and directed by Wayne Isham, the Grammy Award nominated Delicate Sound Of Thunder comes to cinemas for the first time in this global event release. This 2020 version is sourced directly from over 100 cans of original 35mm negatives, painstakingly restored and transferred to 4K, and completely re-edited by Benny Trickett from the restored and upgraded footage, under the creative direction of Aubrey Powell/Hipgnosis.
The sound on this 1988 release has been completely remixed from the original multi-track tapes by longtime Pink Floyd engineer Andy Jackson with Pink Floyd’s David Gilmour, assisted by Damon Iddins.
The concert film was restored and re-edited from the original 35mm film and enhanced with 5.1 surround sound and this is available as standalone Blu-ray and DVD packages. Full track listings and technical specs are below.
Pink Floyd’s supporting musicians for this tour were as follows: Jon Carin (Keyboards, Vocals), Tim Renwick (Guitars, Vocals), Guy Pratt (Bass, Vocals), Gary Wallis (Percussion), Scott Page (Saxophones, Guitar), Margret Taylor (Backing Vocals), Rachel Fury (Backing Vocals) and Durga McBroom (Backing Vocals).
10th November, 2020
This beautiful giant screen film will be available to watch in London’s Science Museum from the 9th December (lockdown dependent)
“OnSight has been a trusted and valued partner for BBC Earth on our Giant Screen films. On large screen formats, there is nowhere for mistakes to hide and OnSight with their OPR workflow has consistently delivered a premium service quality that has allowed the visuals, audio and storytelling of our natural history films to shine with audiences worldwide.” - Jill Kellie, Commercial Director BBC Earth
Antarctica is a land of mystery and yet what happens here affects every single one of us. With never-before seen footage, the story brings audiences to the farthest reaches of this wild and majestic continent. It is the coldest driest and windiest place on Earth with the roughest oceans and yet, weird and wonderful creatures thrive here in astounding abundance.
Lead by OnSight’s Senior Colourist Andy Lee, OnSight’s creative team enjoyed working alongside BBC Studios Natural History Unit providing full post for this visually stunning feature, using our unique OPR (OnSight Picture Remastering) service. Covering full 6K picture post, 2D to 3D conversion, visual effects, shot extensions, bespoke giant screen deliverables and colour grading for both xenon and laser projection.
The film is directed by Fredi Devas, who worked on Planet Earth II and Frozen Planet. With Production Managers Caroline Cox and Nicola Kowalski, Producer Jonny Keeling, Executive Producer Jonathan Williams and supervising Producer Myles Connolly, who has a wealth of giant screen & IMAX films in his slate.
“In our industry of giant screen filmmaking, quality is the key to success. With laser projection and screens as big as 90’ x 120’, there’s nowhere to hide. Even the most minute issue is suddenly and glaringly apparent.
For much of my nearly 30 years in this business, 70mm film was the gold standard for resolution and our ability to manipulate the cleanest image through the photo-chemical pipeline. But now, with OnSight and their OPR workflow, we have the ability to choose the very best digital tools and create images that not only rival but surpass the very best quality that’s come before. We now have more filmmaking option, more tools in our toolbox. This process has helped us succeed on projects like BBC Earth’s “Oceans: Our Blue Planet” and, more recently “Antarctica 3D”. Audiences see the quality and come back wanting more.
This industry isn’t for the faint of heart and I’m hugely grateful to Onsight for developing this groundbreaking workflow and helping our films look their best." - Myles Connolly, Producer for IMAX, Large Format documentaries, 3D and 4k digital production.